2002 WILLIAM MORRIS EVENTS IN THE UK

Compiled by the William Morris Society (UK)


Events Sponsored by the Morris Society
Other Events in the UK


SOCIETY EVENTS

Unless otherwise stated, all lectures are at Kelmscott House and start at 2.15 pm; tickets £3 for WMS members, £4 for non-members. Address all applications for tickets to Judy Marsden, The William Morris Society, Kelmscott House, 26 Upper Mall, Hammersmith, London W6 9TA, enclosing a stamped addressed envelope.  

Until 6 January 2002.
Norwich: Norwich Castle Museum and Art Gallery.
Frederick Sandys and the Pre-Raphaelites.

A major exhibition centred on the work of the Norwich-born artist Frederick Sandys, who was a friend and follower of Dante Gabriel Rossetti. Sandys excelled as a brilliant draftsperson, a wonderful portrait-painter and a colourful - somewhat Bohemian - character in the Victorian art world. The exhibition brings together more than 100 examples of Sandys's work together with pictures by Rossetti, Edward Burne-Jones, Arthur Hughes, William Holman Hunt and John Everett Millais. Open Monday - Saturday 10.30-17.00; Sunday 14.00-17.00. Adults £2.90; concessions £2.55; children £2.25; families £8.90. 01603 - 493 625.

Until 13 January 2002.
Swindon: National Monuments Record Centre.
The Arts & Crafts Movement.

Examples of craft and design from the workshops of Morris & Co. and others, supplemented by photographs from the National Monuments Record. Admission is free. 01793 - 414 797.

Saturday 26th January, 2.15 pm Revisiting Jane, Jenny and May

Jan Marsh, the author of Pre-Raphaelite Sisterhood, The Legend of Elizabeth Siddal, Christina Rossetti: A Literary Biography and other widely acclaimed books, will bring us up to date on recent researches relating to the women of the Morris family that has emerged since the publication of her pioneering work Jane and May Morris: A Biographical Story, 1839-1938.

Saturday 16th February, 2.15 pm The Making of William Morris: The Red House Years

Red House, the home of William Morris from 1860 to 1865, is now owned by the Hollamby family. In this talk, Rob Allen, a Trustee of Red House, will describe the history of this seminal building, its present position and its possible future.

Saturday 23rd March, 2.15 pm William Morris and his Music

A musically illustrated talk on aspects of William Morris and his circle's dealings with music. Given by Jim Gunton, a jazz musician with wide musical interests, who will use examples from his own extensive record collection. This will be an informal occasion including our celebration - with wine and cake - of William Morris's birthday.

Saturday 20 April, 2.15 pm William Morris and Frank Brangwyn

This talk, by Libby Horner, will refer to Frank Brangwyn's brief employment as a youth with Morris & Co. and the influence he received from it. Brangwyn also lived in Hammersmith from 1900 to 1935. Libby Horner has co-authored a book on St Augustine's Church, Ramsgate (AWN Pugin's own church) and has had various articles about Frank Brangwyn published in magazines. She is currently preparing a catalogue raisonné of his works.

Saturday 11 May, 2.15 pm The William Morris Society's 47th Annual General Meeting

To be held in the coach-house of Kelmscott House, 26 Upper Mall, Hammersmith, London W6. Admission is free. Following the AGM, John Purkis, a past Honorary Secretary of the Society, will present a short talk, the second Penelope Fitzgerald Memorial Address, on the stained glass windows installed in the Queen Elizabeth Grammar School, Blackburn.

Saturday 18 May, 2.15 pm Gardens of the Arts & Crafts Movement

William Morris's influence on the design of gardens of the Arts & Crafts Movement will be described in an illustrated talk by Jane Balfour. Reference will be made to the gardens at Kelmscott Manor, Rodmarten and Owlpen Manor, amongst others. Jane Balfour lectures on garden history at Reading University and for the Workers' Educational Association.

13 May - 19 July 2002 William Morris at the Kelmscott Press
A joint William Morris Society/St Bride Printing Library exhibition

St Bride Printing Library
Bride Lane
Fleet Street
London
Tel: 0207 353 4660
Viewing by appointment, 10am - 5pm Monday to Friday

Saturday 29 June, 1.30-5.00 pm The Millennium Galleries, Sheffield Original Thinkers

David Goodway, Malcolm Hardman and Tony Pinkney will discuss the ideas and influence of Edward Carpenter, Thomas Carlyle and William Morris. Tickets cost £5. Members are urged to arrive early to look around Sheffield's newly opened Millennium Galleries and invited to stay on for a purely social evening gathering. Accommodation can be arranged at Halifax Hall, University of Sheffield, at an additional cost. For details and tickets, please write to Dawn Morris, 7 Spring Hill, Sheffield, S10 1ET (enclosing a stamped addressed envelope), or email dmorris-wmsoc@supanet.com.

VISITING RED HOUSE IN 2002
Although Red House is not opening as usual in 2002, the owners - the Hollamby family - have kindly agreed to allow the Friends of Red House to run two charitable fundraising weekends on:

June 29th/30th and August 10th/11th, 2002

The House will be open from 10.30 - 5.00. Guided tours of the House will take place every hour. Admission will be free though contributions to the raffle and/or donations will be welcome. For further information, and to book a tour, contact Pam Hewitt on 020 8301 2881 or at pamela.hewitt@btopenworld.com. Further information is also available at http://www.friends-red-house.co.uk. We look forward to seeing you at Red House this summer. (signed) Rob Allen, Chair, The Friends of Red House.

Thursday 4 July, 10.15 am Visit to the Geffrye Museum and St Bride Printing Library This event is now fully booked.

We shall gather at the main entrance to the Geffrye Museum of English Domestic Interiors, Kingsland Road, London E2 (telephone 020 - 7739 9893), to be met by Kathy Haslam, Exhibitions Officer at the Geffrye Museum and a member of our Society's executive committee. Following an introductory talk, we shall be free to tour the museum (extended in 1998) and its gardens. Onetree is the special exhibition at the time of our visit. This demonstrates how a single large oak tree has been used and saved by artists, designers and craftspeople; thus reflecting the regard that William Morris had for the environment.
After lunch in the museum's restaurant, we shall travel by the number 26 bus to St Bride's Printing Library, Bride Lane, Fleet Street, London EC4 (telephone 020 - 7353 4660). Here we shall be given an introduction by Nigel Roche, Librarian, and be shown typographical material from the library's collection which relates to William Morris. Tickets £3 (lunch not included) from the William Morris Society.

Friday to Sunday, 26-28 July Castles and Cider Country of the Welsh Borders

Following on from the successful weekend in the Malvern Hills in the summer of 1998, a tour is planned of further discoveries of the Arts & Crafts Movement. Included are Eastnor Castle, Treago Castle, Castell Coch, Llandaff Cathedral and houses by CFA Voysey.
Single en-suite accommodation again at Pittville Campus, now the University of Gloucestershire, Cheltenham. Full English breakfasts and gourmet dinners. Inclusive cost £140. For further details, write to the Society at Kelmscott House, clearly marking your envelope with "Castle Tour".

Wednesday 11 September, 2.00 pm Riverside Walk to Hogarth's House This event is now fully booked.

Saturday 21 September, 1.00-5.00 pm London Open House Day

The William Morris Society participates in the London Open House Day by opening its lower-ground-floor premises and coach-house at Kelmscott House to visitors. If you can assist as a guide or a steward, please contact the Curator, Helen Elletson: telephone 020 - 8741 3735 or email william.morris@care4free.net.

Saturday 5 October, 2.15 pm Designer Bookbinding

Stephen Conway is a professional bookbinder and currently runs a small bindery in West Yorkshire. He has won awards and examples of his work are in collections worldwide. While working mainly on private press editions and commissions, he tries to give his book-bindings an atmosphere sympathetic to the text. His talk will include reference to the Kelmscott Press edition of Chaucer's Canterbury Tales.

Friday 1 November, 6.30 pm William Morris, Hammersmith and Utopia

The 2002 KELMSCOTT LECTURE will be given by Dr Ruth Levitas, Professor of Sociology at the University of Bristol and Chair of the Utopian Studies Society. She writes on utopianism in relation to the history of ideas and contemporary politics. Her books include The Concept of Utopia (1990) and The Inclusive Society (1998). Dr Levitas is currently working on a book on William Morris and Hammersmith, where she grew up. This lecture will explore the representation of Hammersmith and London in News from Nowhere, and the relationship of this depiction to the changes taking place in Hammersmith during Morris's lifetime. Dr Levitas will argue that the "medievalism" of Morris's vision is overstated, and that the "backward glance" in Nowhere is to recent and current changes. Morris's central concerns have continued to be points of concern to residents and planners throughout the twentieth and into the twenty-first centuries. At the Art Workers' Guild, 6 Queen Square, London WC1. Tickets £6.00 (including wine and canapés) from the William Morris Society. This lecture replaces that to have been given by Dr Christopher Brooks, described in the Events Programme leaflet.

Saturday 7th December at 2.15pm Introduction to an Arts and Crafts Exhibition Kelmscott House hosts this lecture by Karen Livingstone, discussing the forthcoming Arts and Crafts Exhibition at the V & A to be held in 2005. For details, see http://www.achome.co.uk/, and click "places of interest."


  WHAT'S ON ELSEWHERE

Exhibitions:

Barnet, Hertfordshire: Museum of Domestic Design and Architecture, Middlesex University, Cat Hill. Paper Past/Paper Perfect. February 5 - May 19.
An exhibition about paper and its care. It follows the stages of the conservation process, using items as diverse as a nineteenth-century textile design, an early twentieth-century etching by Pablo Picasso and a recent bus ticket. Incorporating visual displays and hands-on activities, it involves the visitor in thinking about the fragility of paper and how it can be looked after and revived.
Open Tuesday - Saturday 10.00-17.00; Sunday 14.00-17.00. Closed on Sundays and from Good Friday to Easter Tuesday inclusive. Admission is free. 020 - 8411 5244.

Barnet, Hertfordshire: Museum of Domestic Design and Architecture, Middlesex University, Cat Hill. Our House. February 5 - May 19.
We are obsessed with interior decoration. Other people's homes are endlessly intriguing. Our House is a small exhibition using photography and interviews to examine how one community today occupies identical spaces in ways which are as diverse as its individual personalities and lifestyles. It focuses on the front rooms of some Edwardian terraced houses in Crouch End, North London.
Open Tuesday - Saturday 10.00-17.00; Sunday 14.00-17.00. Closed on Sundays and from Good Friday to Easter Tuesday inclusive. Admission is free. 020 - 8411 5244.

Bournemouth: Russell-Cotes Art Gallery and Museum. The Art of the Japanese Print: Japanese Woodblock Prints and Books from the Nineteenth Century. January 26 - April 28.
The Japanese graphic art collection at the Russell-Cotes contains woodblock prints, books and hanging scrolls. This is the first opportunity to see a selection of these works on display.
Open Tuesday - Sunday 10.00-17.00. Closed on Sundays. Admission is free. 01202 - 451 858.

London: British Library. Lie of the Land: the Secret Life of Maps. Until April 7.
What we see on a map is rarely the same as the land under our feet. Some maps deliberately set out to deceive; many show a selective view and reflect only the interests of the people who made them. In every case, there is more to a map than meets the eye. This thought-provoking exhibition includes maps showing the distribution of different races, others made in World War II for bombing raids on Germany and England, maps made by prisoners of war for their escape, another purporting to show the locations of the Garden of Eden and the Tower of Babel, and a fake map of Roman Britain.
Open Monday and Wednesday - Friday 09.30-18.00; Tuesday 09.30-20.00; Saturday 09.30-17.00; Sunday and Bank Holiday Monday 11.00-17.00; closed 24th-26th and 30th -31st December, 1st January and 29th-31st March inclusive. Admission is free. 020 - 7412 7332.

London: National Portrait Gallery. Mirror, Mirror: Self-Portraits by Women Artists Until February 24.
For the first time, all the self-portraits by women in the Gallery's collection are on display together in an exhibition examining the history and function of the self-portrait, raising questions of identity, style and technique. Spanning four centuries, it features work by 42 artists including Mary Beale, Gwen John, Barbara Hepworth and Helen Chadwick. Open Monday - Wednesday and Saturday - Sunday 10.00-18.00; Thursday and Friday 10.00-21.00. Admission is free. 020 - 7312 2463.

London: University of London Library, Senate House, WC1. Worth Ten Thousand Words. Until June 30.
An exhibition, selected from the collections of the University of London Library, celebrating illustrated books from the fifteenth to the twentieth centuries.
Open Monday - Thursday 09.00-21.00; Friday 09.00-18.30; Saturday 09.30-17.30; closed Sunday. Admission is free. The library is on the fourth floor of Senate House. On arrival there, ask for an exhibition pass from the Membership Desk. 020 - 7862 8500.

York: City Art Gallery. Phil May (1864-1903): Victorian Illustrator. Until March 17.
Phil May was one of the leading Victorian "black-and white" artists, famous for his illustrations in The Graphic and Punch. This display is selected from the Gallery's Tillotson Hyde collection.
Open daily 10.00-17.00. Admission free to York residents; visitors £2.00 (concessions £1.50). 01904 - 551 861.

Aberdeen: Aberdeen Art Gallery. The Silken Thread: Embroidery from the Collection. November 20 - February 1.

Embellishing fabrics with embroidered designs has been practised for centuries by the domestic needlewoman. Not merely a pastime, it was almost a necessity, as furnishings such as bed-hangings and chair-covers were made at home. When ready-printed fabrics became widely available, embroidery was used mainly to personalise dress and household linen. More recently, embroidery's status has been raised from purely craft to an art form. This display brings together a selection of nineteenth and twentieth-century embroideries illustrating a wide variety of techniques.

Open Monday - Saturday, 10.00 - 17.00; Sunday 14.00 - 17.00. Admission is free. 01224 - 523 700.

 

Aberdeen: Provost Skene's House.                   A Victorian Winter. November 23 - January 25.

An exhibition of indoor and outdoor winter clothing from the Victorian period.

Open Monday - Saturday, 10.00 - 17.00; Sunday 13.00 - 16.00. Admission is free. 01224 - 641 086.

 

Barnet, Hertfordshire: Museum of Domestic Design and Architecture.                         Patterns for Post-War Britain: the Tile Designs of Peggy Angus. Until January 5.

Peggy Angus (1904-93) was an artist, a committed teacher, a socialist and a highly inventive designer of flat pattern. This exhibition focuses on her ceramic tile designs of the late 1940s to the early 1960s. Individually, her tiles have a straightforward strength and charm; together, their apparently simple motifs can be arranged into a variety of complex patterns. Many of her tiles were commissioned by leading English Modernist architects and they brought original, humanising patterns into post-war British homes and public buildings. There is a related study day on 9th November (see under 'Other Events').

Open Tuesday - Saturday, 10.00 - 17.00; Sunday 14.00 - 17.00. Closed on Mondays and from 21st December to 1st January inclusive. Admission is free. 020 - 8411 5244.

 

Barnet, Hertfordshire: Museum of Domestic Design and Architecture.                            Size Matters. Until January 5.

A striking selection of colourful, large-scale and sometimes outrageous wallpaper patterns, designed and hand-printed by students from Middlesex University's acclaimed Printed Textiles and Decoration Department.

Open Tuesday - Saturday, 10.00 - 17.00; Sunday 14.00 - 17.00. Closed on Mondays and from 21st December to 1st January inclusive. Admission is free. 020 - 8411 5244.

 

Bowness-on-Windermere, Cumbria: Blackwell. The Pottery of William De Morgan.               Until December 22.

William De Morgan (1839-1917) was the most sought-after potter of the Arts & Crafts Movement. The influence of his designs and glazes upon ceramics can only be compared with William Morris's overwhelming influence in the field of textile and wallpaper design.

Blackwell provides a particularly appropriate setting for an exhibition of De Morgan's work because the upstairs fireplaces, preserved almost in their entirety, show a selection of his original tile motifs (including anemone, daisy designs and leaves in lustre glazes). These have been cleverly incorporated into the original yet strikingly modern fireplaces designed by Blackwell's architect, MH Baillie Scott.

The exhibition presents a comprehensive survey of De Morgan's prolific output, showing the range of his successful tile designs, alongside beautiful vases, dishes and outstanding examples of his lustre wares. Whether depicting flowers or animals, his objects never lose their organic liveliness and each is infused with De Morgan's own quirky humour. The selection of objects also reveals some of his influences - from medieval decoration and Persian ceramics to Renaissance grotesques - which De Morgan drew on and fused into his own inimitable idiom.

Open daily 10.00-17.00. Adults £4.50; children and students £2.50; families £12.00. 015394 - 46139. <www.blackwell.org.uk>.

 

Kendal, Cumbria: Abbot Hall.                Fabric: Reinterpreting the House.                 Until December 21.

To coincide with Abbot Hall Art Gallery celebrating 40 years of being open to the public, this exhibition features work by 14 contemporary visual artists, each of whom has taken inspiration from the unique environment of Abbot Hall - its structure, history and cultural context. Through their work, in a diverse range of media, including photography, painting, drawing and installations, they have created  connections with the physical spaces of Abbot Hall and its wonderful collection of paintings, furniture and objects. In addition to the visible "fabric" of the building, some artists are also responding to the landscape of the Lake District, to the people who lived in and around Abbot Hall, and to the trades that made the area at one time so wealthy, but which have now largely disappeared. As well as displaying works in the neutral white-walled upstairs galleries, pieces are also installed in the furnished Georgian rooms on the ground floor. Many of the artists have created works which refer to the decorative arts and by doing so they challenge the notion of decorative art playing a secondary role to fine art.

Open Monday - Saturday, 10.30 - 17.00. Closed on Sundays. Adults £3.50; children and students £1.75; families £9.00. 01539 - 722 464.

 

Kendal, Cumbria: Kendal Museum.           Near and Far. Until December 21.

This fascinating exhibition of photoworks by the artist Ingrid Pollard explores the many different sides of Lindisfarne and the Farne Islands. It is the first time that the National Trust has invited an artist to produce a body of work in response to these islands and their surrounding coastline. The images on show range from sweeping panoramic views to intricate close-ups of lichens and rock formations.

Open Monday - Saturday, 10.30 - 17.00. Closed on Sundays. Adults £3.50; children and students £1.75; families £9.00. 01539 - 721 374.

 

London: Dulwich Picture Gallery.            Arthur Rackham.  December 18 - March 2.

Arthur Rackham (1867-1939) is one of the world's most popular artist-illustrators. The creator of inimitable illustrations for Rip Van Winkle, Peter Pan, Alice in Wonderland, A Midsummer Night's Dream and The Wind in the Willows, his interpretations have achieved classic status. This is the first full-scale exhibition in Britain of his work for more than 20 years.

Trained as a black-and-white illustrator of magazines alongside such greats as Aubrey Beardsley, Rackham created some of the finest colour book illustrations of the early twentieth century. A master of the grotesque, yet possessing a childish naive vision of the world, he used a bold scratchy pen to draw anthropomorphised trees, gnarled dwarfs and gnomish creatures, which he then painted with pale washes.

This exhibition brings together over 70 original works by Rackham, representing the full range of his output, along with family photographs, travel sketches and scrapbooks compiled by his descendants.

Open Tuesday - Friday, 10.00 - 17.00; Saturdays and Sundays, 11.00-17.00. Closed on Mondays; also closed from 24th to 26th December inclusive and on New Year's Day. 020 - 8693 5254.

 

London: Geffrye Museum. Ceramic Rooms: At Home with Kate Malone and Edmund de Waal. Until January 19.

The Geffrye has engaged two of Britain's leading ceramicists each to create a "ceramic room" which expresses their personal concepts about domestic interior space. Kate Malone and Edmund de Waal have many similarities as artists and individuals in terms of their open-mindedness, their international outlook and their desire to explore the versatility of clay in a creative and thought-provoking way. Despite this, they take very different approaches to both the use and potential of clay. Malone works with T material, building and moulding her pieces; de Waal throws porcelain on a wheel. Malone's earthenware and crystalline glazes produce colourful, exuberant pieces; de Waal's work is as cool, calm and reflective as the celadon glazes he favours. Malone is well known for her joyous, decorative pots, fountains and installation pieces, all of which use organic forms and the natural world as inspiration; de Waal's pieces are simple, elegant and beautiful, reflecting his admiration for both the East and the "fierce symmetries" of Modernist style.

Open Tuesday - Saturday, 10.00 - 17.00; Sundays and Bank Holidays, 12.00 - 17.00. Closed on Mondays and on Christmas Day, Boxing Day and New Year's Day. Admission is free. 020 - 7739 9893.

 

London: Millinery Works Gallery,                85-87 Southgate Road, Islington, N1.                     The Stained Glass Designs of Clayton & Bell. December 4 - 22.

The studio of John Richard Clayton (1827-1913) and Alfred Bell (1832-95), established in 1855, became one of Britain's leading and largest stained-glass designers and makers, winning numerous important commissions. The firm was carried on by John Clement Bell (1860-1944) and Reginald Otto Bell (1884-1950) and was continued by Michael Farrar Bell (1911-93) until his death.

This exhibition, curated by WMS member Rachel Moss, presents - for the first time - some 50 original designs and cartoons from Clayton & Bell's studio, alongside the work of other designers including Edward Burne-Jones. It will also feature some actual panels of stained glass.

Open Tuesday - Saturday, 11.00 - 18.00; Sunday 12.00 - 17.00. Closed on Mondays. Admission is free. 020 - 8883 7176.

 

London: Wolseley Fine Arts, 12 Needham Road, Westbourne Grove, W11. Ralph Maynard Smith, 1904-1964: The Barrier Beyond: Record of a Secret Artist. Until November 2.

The architect Ralph Maynard Smith was associated with many important buildings, perhaps the most famous being the Shell Centre on London's South Bank, which he and Howard Robertson designed together. Despite his full-time career as a successful architect, RM, as he was known, practised secretly for 40 years as an artist. No one outside his immediate family knew of this pursuit, nor of his continual struggles against depression; these secrets were linked, for RM used painting and writing to exorcise his demons.

He read widely. Ruskin, Blake and Van Gogh were pre-eminent as his guides, but he was also influenced by Fiona McLeod, a writer of Gaelic myths. The Romantic element always dominated RM's painting. Like Paul Nash, whose work his resembles in some respects, RM was more than a landscape painter following in the footsteps of Palmer of Blake. His work developed from early poetic landscapes to an almost surrealistic style, and his paintings explore fear, anxiety, loneliness and melancholia, as well as the beauty of the scenes depicted.

This is the first significant exhibition of Ralph Maynard Smith's paintings. All the works are for sale, but certain key works are available only to museums and public art galleries.

Open Wednesday - Friday, 11.00 - 18.00; Saturday 11.00 - 17.00. Other times by appointment only. Admission is free. 020 - 7792 2788; <www.wolseleyfinearts.com>.

 

Swindon: NMRC Gallery, Kemble Drive. Workers' Playtime. Until January 12.

In the Gallery of the National Monuments Records Centre, this is an exhibition of more than 200 postcards (mostly dating from 1900-10) from its massive collection, depicting public parks and gardens.

Open Wednesday - Friday, 11.00 - 17.00. Admission is free. 01793 - 414 797.

 

Wakefield: Wakefield Art Gallery.             Peter Blake: Alphabet. Until November 17.

Peter Blake emerged in the 1960s as a leading figure of British Pop Art, most famous for his cover design for the album Sgt. Pepper's Lonely Hearts Club Band by the Beatles. This exhibition consists of 26 colourful and bold screen prints illustrating each letter of the alphabet.

Open Tuesday - Saturday, 10.30 - 16.30; Sunday 14.00 - 16.30. Closed on Mondays. Admission is free. 01924 - 305 796 or 305 900.

Other Events:

Barnet, Hertfordshire: Museum of Domestic Design and Architecture, Middlesex University, Cat Hill. Your Edwardian House. March 9.
A study day linked to the Our House exhibition at MoDA, looking at various aspects of houses, interiors and life in the Edwardian period, as well as considering how Edwardian houses are used and decorated today.
Tickets cost £17.00; concessions £13.00. An optional sandwich lunch, price £6.50, can be booked in advance. For more information or to book a place, contact MoDA: 020 - 8411 2341 or z.hendon@mdx.ac.uk .

Chester. Pre-Raphaelite Study Weekend. March 15-17.
A weekend packed with lectures and tours of the Lady Lever Art Gallery (Port Sunlight), Walker Art Gallery (Liverpool) and Sudley Art Gallery (Mossley Hill). Two night's bed, breakfast and evening meal in Chester's four-star Queen Hotel.
Inclusive cost £189 per person based on shared double room; single room supplement of £15 per night. Further details from Adrian Sumner, Arts Development Officer, Chester City Council: 01244-348-365.

London: Art Workers' Guild, 6 Queen Square, WC1. An Introduction to the Repair of Old Houses. February 16 & 17, 09.30-17.30.
A weekend course, run by the Society for the Protection of Ancient Buildings, offering the owners of old houses and other non-professionals the sort of expert guidance that is hard to obtain elsewhere. Expert speakers will explain the principles and techniques relating to roofs, guttering, pointing and rendering, damp, timber, interiors and finishes, and how to choose a professional advisor. There will also be a question-and-answer session.
The cost is £115, including lunches and refreshments but not accommodation. Further information and booking forms from the SPAB: 020 - 7377 1644 or info@spab.org.uk.

London: The Epicentre, West Street, Leytonstone, E11. Museums: Why are they there? What are they for? March 9, 19.30-22.00.
A meeting of the News from Nowhere Club at which anyone is welcome. At 19.30, food will be shared; bring something if you can. At 20.00, Catherine and Bob Howell, who between them have 35 years' experience of museum curatorship and management including work at the Victoria & Albert, the Museum of London and the Museum of Childhood at Bethnal Green, will give a talk followed by open informal discussion. Admission is free and prior booking is unnecessary. 020 - 8555 5248.

London: Victoria & Albert Museum. British picture-frame-making, 1500-1900. March 12, 12.30-13.30.
A gallery talk by Laura Houliston. Admission is free. 020 - 7942 2209.

London: Victoria & Albert Museum. Interiors and Architecture in the Victorian Galleries. March 16 & April 12, 12.30-13.30.
A gallery talk by Eleanor Tollfree. Admission is free. 020 - 7942 2209.

London: Victoria & Albert Museum. Industry and Innovation in British Photography. April 10, 12.30-13.30.
A gallery talk by Martin Barnes. Admission is free. 020 - 7942 2209.

Oxford: Ruskin College, Walton Street. People's Attachment to Place: some Heritage Implications. February 16, 10.30.
A public discussion led by Susan Taylor of the University of Plymouth. Organised by the Ruskin Public History Group. Admission is free and coffee will be served. Further information from Stephen Hewitt: 01865 - 517 828.

York: Jacob's Well, Trinity Lane, Micklegate. Rocking Horses. February 4, 19.00.
Tony Dew, who has the Rocking Horse Shop at Fangfoss and who is a highly respected maker and supplier of rocking horses, will talk about his work. Organised by the York Art Workers' Association. Admission £3.00. Enquiries to Ann Sotheran: 01904 - 611 407 or 641 066.

26 September 2002
Pre-Raphaelite study day at Standen, run by Colin Clegg. For further details, see http://www.achome.co.uk/, and click "places of interest."

16-17 November 2002
Art for Life's Sake: Missionary or Practical Aesthetics
A two day symposium on Women, Gender, Class and Victorian Cultural Philanthropy c. 1860-1914
Southampton Institute will host an international Art and Design History conference on "moral aesthetics" or the Victorian notion that the purpose of art was to improve or civilize man. The symposium hopes to cover a wide range of topics including the Home Arts and the importance of the home as a civilizing space; the Arts and Crafts movement and the promotion of art as a recreational hobby as well as a profession; charity organisations involved with promoting the arts as an educational and civilizing agency, including the Kyrle, the Home Arts and Industries Association and the WI; the founding of Art Clubs and the exhibition of works of art for their social and morals benefits; urban and rural regeneration through the arts; and women as collectors or benefactors.

Barnet, Hertfordshire: Museum of Domestic Design and Architecture.                          Peggy Angus, Mid-Century Designer: Study Day. November 9, 10.00 - 16.15.

Peggy Angus (1904-93) was an artist, a committed teacher, a socialist and a highly inventive designer of flat pattern. Her tiles and tiled murals of the late 1940s to the early 1960s brought colour and pattern into important public buildings and demonstrate ideas which were dominant in architecture and design at that time.

This study day will explore Angus's life and career and place her in the context of artistic activity and architectural Modernism in mid-twentieth-century Britain. The speakers will be Alan Powers, Katie Arber, Simon Watney, Carolyn Trant and Christopher Whittick. There will also be plenty of opportunity for discussion.

Prior booking is essential. The full-rate fee is £27.00; concessions £21.00. A sandwich lunch is available at £6.50, but it must be ordered in advance. Further details from Chantal Vosloo: 020 - 8411 4394 or <c.vosloo@mdx.ac.uk>.

 

East Grinstead, West Sussex: Standen.            A Comparison of Art and Life at Standen and Charleston. November 19, 10.30 - 13.30.

An illustrated talk by Wendy Hitchmough, Curator at Charleston and author of several books on the Arts & Crafts Movement. She will consider how these two influential houses overlap in time yet differ so greatly in style.

Prior booking is essential. Places cost £16.95 which includes coffee and lunch. 01342 - 323 029.

 

East Grinstead, West Sussex: Standen.            Garden Style of the Late Nineteenth Century and Early Twentieth Century.                      November 21, 10.30 - 13.30.

Bill Malecki, Gardens and Parks Advisor to the National Trust, will examine the distinctive elements typifying gardens of this period, with an emphasis on Arts & Crafts influences. His talk will also look at the plants which were being introduced then, especially from the Far East.

Prior booking is essential. Places cost £16.95 which includes coffee and lunch. 01342 - 323 029.

 

East Grinstead, West Sussex: Standen.            The Garden at Standen.                        November 27, 10.30 - 13.30.

James Masters, Gardener in Charge at Standen, will discuss the garden here, using slides from all seasons of the year.

Prior booking is essential. Places cost £16.95 which includes coffee and lunch. 01342 - 323 029.

 

London: The Epicentre, West Street, E11. Dancing across Boundaries: Creativity and Communication.                                    November 9, 19.30 for 20.00.

Nina Papadopoulos is a dance educationalist and dance movement therapist who has taught and facilitated workshops with movement and dance for the last 30 years with people of all ages. This session will offer an opportunity to experience and reflect on the importance of dance as a community activity.

An event organised by the News from Nowhere Club. Admission is free and everyone is welcome; no prior booking is required. 020 - 8555 5248.

 

London: Geffrye Museum. Exhibition Talk with Kate Malone and Edmund de Waal.        November 6, 18.30 - 20.00.

An informal discussion during which Kate Malone and Edmund de Waal will reflect on the pleasures and challenges presented by the Ceramic Rooms project at the Geffrye (see under 'Exhibitions') and by their chosen profession of ceramicist.

Prior booking is essential. Tickets cost £5.00 which includes a glass of wine. 020 - 7739 9893.

 

London: Geffrye Museum.                 Workshop: Totally Thrown.                   November 9 and 16, 10.30 - 16.30.

A rare opportunity to learn from a master of his craft, Edmund de Waal, who will lead a two-day workshop on understanding and throwing porcelain. Suitable for all abilities.

Prior booking is essential. Tickets cost £50.00 which includes materials. 020 - 7739 9893.

 

London: Imperial War Museum.                 The Abolition of War.                          November 10, 14.00.

A lecture by Professor Sir Joseph Rotblat, nuclear scientist and Nobel peace laureate. This event has been organised by the Movement for the Abolition of War whose website can be found at <www.abolishwar.freeuk.com>.

Admission to the lecture is free and places need not be booked in advance. 020 - 8347 6162.

 

London: Institute of Historical Research, Senate House, Malet Street, WC1.                     Popular Politics in Rural England.         December 7, 10.30 - 16.30.

Jointly organised by the British Agricultural History Society and the Institute of British Geographers' Historical Geography Research Group, this one-day conference features Miriam Muller speaking on 'Freedom through the Court of Law: Peasant Protest and Ancient Demesne in a Fourteenth-Century Wiltshire Manor', Andy Wood on 'Rethinking Popular Politics in Rural England, circa 1500-1700', Jane Pearson on 'Conflict and Community in Eighteenth-Century Essex: the case of Great Tey' and Alun Howkins on 'The Fight for Headington Magdalens, 1850-1900'.

Places, which must be booked in advance, cost £16.00 with lunch or £10.00 without. To book a place (cheques payable to "B.A.H.S.") or to receive further information, write to Dr Jane Whittle, History Department, University of Exeter, Amory Building, Rennes Drive, Exeter, Devon, EX4 4RJ. No telephone number has been given.

 

London: Millinery Works Gallery,                85-87 Southgate Road, Islington, N1.                     From High Victorian to Arts & Crafts.   December 8, 16.00.

A lecture by Peter Cormack, Deputy Keeper of the William Morris Gallery, Walthamstow. This event relates to the current exhibition of stained glass designs from Clayton & Bell at the Millinery Works Gallery (see under 'Exhibitions').

Tickets, which must be bought in advance, cost £3.50. Write to Rachel Moss, 32 Hertford Road, London N2 9BU, enclosing a stamped addressed envelope. For more information, phone 020 - 8883 7176.

 

London: Museum of London.                    From Things to People.                       November 29, 13.10 - 14.00.

Sir Mortimer Wheeler urged archaeologists to recognise that they dig up "people, not things". How can we respond to this challenge, though, when working on prehistoric sites, where the people concerned may have been dead for half a million years? Professor John Barrett of Sheffield University will discuss this issue in a lecture.

Admission is free and no prior booking is required. 020 - 7600 3699.

 

Oxford: Rewley House, 1 Wellington Square. News from Somewhere: William Morris and the Kelmscott Landscape.                                Friday - Sunday, May 9 - 11.

Kelmscott Manor was the country house of William Morris from 1871 to 1896. Organised by Oxford University's Department of Continuing Education, this weekend course will describe the results of a project, initiated by the Society of Antiquaries of London, to explore the making of the landscape which inspired some of Morris's poetry, prose writings, designs and philosophy of conservation. The speakers include John Payne on 'Kelmscott and Englishness', Linda Parry on 'The Morris Family and the Manor' and Carol Davidson Cragoe on 'The Architecture and Context of Kelmscott Church'. There will also be a visit to Kelmscott and a guided tour of the Manor.

Prior booking is essential and early registration is advised. Accommodation at Rewley House is in modern, comfortably furnished rooms. Residential places cost £172.00 single, £150.00 shared; non-residential with meals excluding breakfast, £112.00; non-residential without meals, £75.00. Further details from the Administrative Assistant, Day & Weekend Schools, OUDCE, 1 Wellington Square, Oxford, OX1 2JA; 01865 - 270 368; <ppdayweek@conted.ox.ac.uk>.

 

Swindon: NMRC Gallery, Kemble Drive.  Parks in Focus. November 6, 12.30.

A lecture by Nigel Temple, who curated the current exhibition Workers' Playtime at the NMRC Gallery (see under 'Exhibitions').

Admission to the lecture is free, but it is recommended that places are booked in advance. 01793 - 414 797.

Editor's Note: I try to ensure that the information I give about exhibitions and events is both adequate and accurate, but I cannot claim to be infallible. I therefore advise readers to check important details (telephone numbers are always provided) before travelling. MH.

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