CENTENARY EVENTS & ACTIVITIES
AT THE VICTORIA & ALBERT MUSEUM
From the program accompanying the William Morris
exhibition, 9 May -1 September 1996
William Morris Exhibition
Related Events
WILLIAM MORRIS
EXHIBITION
9 May-1 September 1996
The William Morris exhibition being held at the Victoria
and Albert Museum from 9 May to 1 September 1996 represents
the largest display ever mounted on the life and work of one
of the most charismatic and influential British
designers.
Marking the centenary of his death, it brings together
over 500 works of art to reflect the enormous range of
Morris's work. This includes wallpapers, ceramic tiles,
linoleum, stained glass, table glass, tapestries, carpets,
embroideries, calligraphy, printed books, paintings,
drawings, design and furniture.
The exhibition also explores other sides of Morris's
remarkable life: his searching criticism of British society;
his involvement with the early Socialist movement; his work
as author, poet, printer and calligrapher; his personal and
family life; and his important role as a founder member and
leading influence on the Arts and Crafts Movement in Britain
and throughout the world.
RELATED EVENTS
Tapestry Project
Groups: Friday 10 May to 30 August 1996 (except
Friday 28 June)
10.15, 11.30 and 13.15
Individuals: Fridays and Saturdays 10 May to 31
August 1996.
Fridays 15.00-16.30 (earlier if there are no booked groups),
except on Friday 28 June.
Saturdays 10.00-12.30 and 13.30-16.30
For the duration of the exhibition, textiles artist and
environmental sculptor Julieann Worrall Hood will be working
in a gallery near the exhibition on a specially commissioned
tapestry based on William Morris textiles in the V&A;'s
collection.
Educational groups can book individual sessions with
Julieann who will explain the techniques of tapestry weaving
and provide the opportunity for visitors to try their hand.
Groups are limited by available space to 15 at a time
(activity sheets will be available for others).
Individual visitors are welcome to drop in and meet
Julieann. During Saturday morning sessions you can even have
a go at weaving for yourself. Friday and Saturday afternoons
will be demonstrations only.
An Evening for Educators
Monday 13 May 1996
This evening gives teachers, lecturers and community
workers a chance to view the exhibition and attend an
introductory talk on William Morris, his work and
influences, given by Linda Parry, Curator of the William
Morris exhibition.
William Morris - An Introduction for Teachers
Friday 17 May 1996
10.15-16.00
This course assumes no specialist knowledge of Morris and
is designed for school teachers of all phases and
specialists wishing to bring groups to the exhibition.
Teachers will be provided with information about Morris, his
work and his links with the Museum. the day will include
practical work exploring ideas for studying Morris with
pupils at the V&A; and a visit to the exhibition.
Gallery Talks for Student Groups
9 May-1 September 1996
Guided tours of the V&A;'s permanent collections based on
themes relating to the exhibition are available for student
and educational groups aged 18+ as follows (maximum 25
people per tour):
The History of the V&A
The Great Exhibition of 1851
Nineteenth-Century Fine and Decorative Arts
Arts and Crafts in the Nineteenth and Twentieth
Centuries.
Slide Lectures for Student Groups
Slide lectures about Morris and related themes can be
arranged for individual groups. Please contact us well in
advance, with a range of possible dates.
William Morris the Poet: Talk with Readings
Sunday 30 June 1996 at 14.30
Not content with his vast output in design of every sort,
Morris was also an accomplished and considerable poet. On
the death of Tennyson in 1892, he was sounded out as the
next Poet Laureate but declined. Susan Morris and Alfred
Bradley will present a selection of readings from Morris's
poetry and relate them to the circumstances of his personal
life.
Fabric Painting Workshop--Wearable Morris
Saturday 13 July 1996
10.00-12.00, 13.00-15.00 or 15.15-17.15
This workshop is aimed at anyone who would enjoy trying
out hand painting onto fabric for the first time.
Participants can decorate clothes or household items using
Morris as inspiration.
South Asian Community Programme
The V&A 's South Asian Arts Education Programme
encourages the study and appreciation of the South Asian
cultural heritage amongst visitors from both the South Asian
and non-south Asian communities. We also introduce the Asian
community to the vast artistic heritage of other cultures
that the V&A collections represent.
The South Asian Arts Education staff can visit community
groups in advance of their visit to the Morris exhibition
with a free slide presentation. For full details please see
the leaflet William Morris Exhibition - Events and
Activities for the South Asian Community. To obtain a
copy phone 0171-938 8638.
Gallery talks in South Asian Languages
South Asian community groups can book free talks on
William Morris (based on the Museum's permanent display, not
in the exhibition) in either Urdu, Bengali, Gujarti, Hindi
or Punjabi.
Chinese Community Programme
The Chinese Arts Education Programme organizes art
appreciation and practical courses in Cantonese and Mandarin
to allow Chinese speakers to further their enjoyment of the
Museum's Chinese and other collections.
Full details and booking information about provision for
the William Morris exhibition are provided in the special
Chinese language leaflet William Morris Exhibition -
Events and Activities for the Chinese Community. This
also lists other Morris-related events. To obtain a copy,
please telephone the Education Department on 0171-938 8638
or, if you speak Chinese only, telephone Alice Wong on
0171-938 8659.
Gallery Talks in Cantonese and Mandarin
Groups can book talks about William Morris in Cantonese
or Mandarin. These are held in the permanent displays and
cover themes related to William Morris and his life.
Conference: William Morris Reviewed
21-23 June 1996
10.00-17.30
This major three-day conference will take three very
different aspects of Morris's life and assess their impact
both at the time and today.
PROGRAMME
William Morris: The Designer
Friday 21 June 1996
Chair: Linda Parry, curator of the V&A William Morris
exhibition.
In the light of recent research, speakers will consider
the role of Morris as a designer in his own lifetime, and
the effects of his work and ideas on contemporaries. The
predominant twentieth-century view of Morris as a pioneer of
the modern movement will be reassessed.
Speakers:
Professor Gillian Naylor, Royal College of Art, London
Douglas Schoenherr, National Gallery of Canada, Ottawa
Professor Jon Press, Bath College of Higher Education
Peter Cormack, William Morris Gallery, Walthamstow
Clive Wainwright, Research Department, V&A
William Morris: The Legacy
Saturday 22 June 1996
Chair: Paul Greenhalgh, Head of Research, V&A
Morris's ideas have made an immense impact on the social,
cultural and political spheres in the twentieth-century. The
speakers will reflect on what can be seen as both
problematic and inspiring in this legacy.
Speakers:
David Crowley, University of Brighton
Michael Casson CBE, master potter and educator
Jan Marsh, historian and writer
Tony Benn MP, politician and writer
Professor Christopher Frayling, Royal College of Art,
London
William Morris: The Educator
Sunday 23 June 1996
Chair: Francis Pugh, Education Department, V&A
This day will focus on Morris's concern for the relation
between work, art and education as expressed in his writing
and in his passionately argued lectures. Speakers will
assess the response to his ideas at the time, their
subsequent transmission overseas, and their relevance to
current debates on education, particularly in the field of
art and design.
Speakers:
Colin Ward, Visiting Centennial Professor, London School of
Economics
Norman Kelvin, Professor of English, City College and
Graduate Center, the City University of New York
Barbara Morris, former Assistant Keeper of Ceramics and
Glass, V&A
Victor Margrie CBE, Visiting Professor, University of
Westminster
Professor Toshio Watanabe, Chelsea College of Art and
Design
Practical Courses:
Natural Dyes for Hand Wood Block Printing
14-17 May 1996, 10.30-16.30
Dissatisfaction with chemical dyes led William Morris to
experiment with natural dyes whose use with wood block is an
age-old craft in most parts of India. Indian palampores
(painted cotton hangings) were a particular inspiration to
him for their brilliant colors which were unharmed by
repeated washings. This four-day practical workshop will be
led by Vikram Joshi, an expert from India, who will explore
the dyeing/printing techniques of Rajastan with wood blocks
on cotton and silk.
Zandra Rhodes Masterclass
Wednesday 5, Thursday 6, Friday 7, Tuesday 11 and Wednesday
12 June 1996, 10.30-17.00
Slide Lecture Wednesday 5 June 1996. 10.30-12.30
While William Morris referred to the intricate beauty of
plant forms for inspiration, so too in our own era Zandra
Rhodes draws on natural forms such as shells and landscape
for her garments. Her designs are worn and exhibited
worldwide, including within the Museum's own Dress
Collection.
The first three days of this masterclass, tutored by
Zandra Rhodes, will take place at the V&A; and the last two
at Zandra Rhodes' London studio. The masterclass is aimed at
graduates and designers, and those who, whilst not having
formal art training, would like to work at a fairly advanced
level. Representations of the natural world found in the
Museum's collections and the Morris Room will be reviewed to
create fabrics that may be worn or used.
Ceramics: Throwing and Handbuilding--An Homage to William
Morris
Tuesday 23 July to Friday 26 July and Monday 5 August 1996,
10.30-17.00
This five-day course, tutored by artist Lubna Chowdhary,
is a collaboration between the V&A; and the Camden Arts
Centre. Using basic techniques in ceramics, it will explore
the creative process of working in this medium. Drawing from
the Morris exhibition and other galleries in the Museum,
participants will develop their own themes and subjects and
work towards producing their own fired and glazed item. All
but the first day will be based in the ceramics studio of
the Camden Arts Centre in London. The course is suitable for
both beginners and those with more experience.
Design History Course: William Morris in Context
Monday 15 July to Thursday 18 July 1996, 12.30-15.30
Friday 19 July 1996, whole day coach trip to Standen
This short course aims to provide the enthusiastic
beginner with a stimulating introduction to William Morris
and his milieu. Lectures and gallery talks will cover the
wider cultural context of the mid-nineteenth century within
which he operated, the contradictions within his life and
work, and the considerable influence of his designs upon
artists and craftspeople during the latter part of the
century. The optional coach trip is to Standen, a property
designed by Morris's close associate Philip Webb and
decorated by Morris & Co in the 1890s. Speakers include
Geoffrey Opie, Tim Barringer, Barbara Morris, Linda Parry,
Francis Pugh, and Peter Smith.
Slide Lectures
All begin at 14.30
William Morris: The Painter
Wednesday 22 May 1996, Ray Watkinson
William Morris: The Calligrapher
Saturday 8 June 1996, John Nash
William Morris Wallpapers
Wednesday 19 June 1996, Lesley Hopkins
William Morris Furniture
Thursday 20 June, Frances Collard
William Morris: The Designer
Tuesday 25 June 1996, Stephen Astley
Music, Morris and Contemporary Visual Arts
Saturday 29 June 1996, David Huckdale
William Morris: Stained Glass and Church Decoration
Thursday 4 July 1996, Martin Harrison
William Morris Textiles
Monday 8 July 1996, Linda Parry
William Morris and the Kelmscott Press
Thursday 11 July 1996, John Dreyfus
William Morris: Domestic Decoration
Tuesday 16 July 1996, Linda Parry
Gallery Talks
All start at 14:30
These talks, lasting about an hour, explore items in the
Museum relating to the context within which Morris
worked.
Other Craft Movements at the Time of Morris
Wednesday 5 June 1996, Geoffrey Opie
The Great Exhibition and Victorian Design
Thursday 6 June 1996, Francis Pugh
Twentieth-Century Craft Movements
Wednesday 12 June 1996, Geoffrey Opie
Kunst und Kunstgewerbe (von Morris bis zum Ende de 19
Jahrhundert)
Tuesday 18 June 1996, Erica Millman
Furniture Design at the Time of William Morris
Saturday 22 June 1996, Sorrel Hershberg V&A
Islamic Motifs and William Morris
Thursday 27 June 1996, Eileen Graham
Talk in the Display 'Pre-Raphaelite Watercolors and Early
British Photography'
Monday 22 July 1996, Catheryn Spence
Aesthetic Dress
Tuesday 23 July 1996, Imogen Stewart
Victorian Embroidery
Tuesday 30 July 1996, Imogen Stewart
Talks by Contemporary Artists
All start at 14.30
William Morris was one of the first advisors to the
Museum and used the inspiration he drew from Museum objects
in his own work. Contemporary artists talk about how they
too have used the collections in this way.
Thursday 16 May 1996
Textile artist Penny Walsh talks about how today's V&A
inspires her work.
Thursday 18 July 1996
Potter Julian Stair talks about the inspiration he gains
from the V&A.
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