William Morris as Artist
Articles from the Journal of William Morris Studies, 1961-2001
Morris and Co., Decorative Arts, Tapesteries and Eallpapers
Stained Glass
Architecture, Environmental Design
Paintings
Book Design
Morris and Music
"William Morris's 'New and Lighter Design.'" K. L. Goodwin, JWMS 2.3 (Winter 1968): 24-31.
"The Woodpecker Tapestry." Dr. K. B. Valentine, JWMS 3.2 (Summer 1976): 7.
"Memories of Morris & Co." Edward Payne, JWMS 4.3 (Summer 1981):2-6.
"William Morris's Early Furniture." Pat Kirkham, JWMS 4.3 (Summer 1981):25-28.
"Medievalism in Morris's Aesthetic Theory." Michael Naslas, JWMS 5.1 (Summer 1982): 16-24.
"The Earthly Paradise of Morris and Burne-Jones." Lesley A. Baker, JWMS 5.1 (Summer 1982): 25-30.
"The Revival of the Merton Abbey Tapestry Works." Linda Parry, JWMS 5.3 (Summer 1983): 16-22.
"First Appearance of 'The Firm.'" JWMS 5.3 (Summer 1983): 42 [reprint from London Society, 1862].
"Another Day at the Exhibition." JWMS 5.4 (Winter 1983-84): 77. [An extract from London Society from 1862 and two letters by James Smetham].
"Morris and Company in the Twentieth Century." Linda Parry, JWMS 6.4 (Winter 1985-86): 11-16.
"Some Words on Indigo." R[aymond] W[atkinson], JWMS 6.4 (Winter 1985-86): 16-17.
"'A Language That All Can Understand': William Morris, William Hogarth and the Decorative Arts." Patricia Crown, JWMS 8.1 (Autumn 1988): 5-13.
"Knight and Angels: The Treatment of 'Sir Galahad' in the Work of [Dante] Gabriel Rossetti, Elizabeth Siddal and William Morris." Jan Marsh, JWMS 8.1 (Autumn 1988): 14-23.
"Morris's Beginnings in Embroidery." Ray Watkinson, JWMS 8.1 (Autumn 1988): 25-28.
"Ananda Coomaraswamy and William Morris." Larry D. Lutchmansingh, JWMS 9.1 (Autumn 1990): 35-42.
"William Morris and the Royal Commission on Technical Instruction, 1881-84." Charles Harvey and Jon Press, JWMS 11.1 (Autumn 1994): 31-44.
"Morris & Co. in a Baroque Setting." Eeyan Hartley, JWMS 11.2 (Spring 1995): 5-9.
"A Note on Morris and Van Eyck." Jan Marsh, JWMS 11.3 (Autumn 1995): 6-7.
"William Morris and Indigo Discharge Printing." Virginia Davis, JWMS 11.3 (Autumn 1995): 8-18.
"A Japanese William Morris: Yanagi Sôetsu and 'Mingei' Theory." Yuko Kikuchi, JWMS 12.2 (Spring 1997): 39-45.
"Living Dyeing: Morris, Merton, and the Wardeles." Ray Watkinson, JWMS 12.3 (Autumn 1997): 20-25.
"A Revaluation of Morris's Influence in Japan." Chiaki Ajioka, JWMS 12.4 (Spring 1998): 21-28.
"The Gospel of Intensity: 'Arry, William Morris & the Aesthetic Movement." Andrew Heywood, JWMS 13.3 (Autumn 1999): 14-25.
"The 'Sympathetic Translation' of Patterns: William Morris as Singer, Scribe, and Printer." Isolde Karen Herbert, JWMS 13.4 (Spring 2000): 21-29.
"The Morris Reredoses at St. John the Baptist Church, Findon, and The Church of the Blessed Virgin Mary, Clapbam, West Sussex." Tessa Kelly, JWMS 13.4 (Spring 2000): 30-34 [+ 2 pp. colour illustrations].
"The Topsaic Tapestries and Penkill Castle." Jan Marsh, JWMS 13.4 (Spring 2000): 35-40.
"John Ruskin, William Morris, and the Illuminated Manuscript." Evelyn J. Phimister, JWMS 14.1 (Autumn 2000): 30-36.
"'A Funny Childish Thing': The Flodden Field Bas Relief and the Redesign of the Library at Naworth Castle." Katharine Haslam, JWMS 14.1 (Autumn 2000): 67-74.
"Class Consciousness in the Design of William Morris." Stephen F. Eisenman, JWMS 15.1 (Winter 2002): 17-37 [+ 4 pp. colour illustrations].
"Notes on Morris & Co.'s Domestic Stained Glass." A. C. Sewter, JWMS 1.1 (Winter 1961): 22-28.
"Architects and Masons." Richard S. Smith, JWMS 5.4 (Winter 1983-84): 60-66.
"A New Art of Environmental Design." John Hanna, JWMS 6.4 (Winter 1985-86): 4-10.
"Red House Decorated." Ray Watkinson, JWMS 7.4 (Spring 1988): 10-15.
"A Lesson in International Relations: Morris and the SPAB." Frank C. Sharp, JWMS 10.2 (Spring 1993): 9-15.
"The Paintings of William Morris." Janet Camp Troxell, JWMS 2.1 (Spring 1966): 4-8.
"The Kelmscott Press: An Album for the Nineties." Colin Franklin, JWMS 2.2 (Summer 1968): 14-18.
"Morris and Cobden-Sanderson." John Randle, JWMS 3.1 (Spring 1974): 22-26.
"A Footnote to a Footnote . . ." R[aymond] W[atkinson], JWMS 6.2 (Winter 1984-85): 33-34 [on the Kelmscott Press volumes of Morris's Poems by the Way and Wilfred Scawen Blunt's Love Lyrics and Songs of Proteus].
"Charles Gere and William Morris." Edmund Penning-Rowsell, JWMS 8.4 (Spring 1990): 28-31.
"A Bristol Printing House: Edward Everard's Monument to Gutenberg, Morris and the Printer's Art." Charles Harvey and Jon Press, JWMS 10.4 (Spring 1994): 40-47.
"The Impact of Morris and the Kelmscott Press in Germany." Hans Eckert, JWMS 11.2 (Spring 1995): 20-24.
"A Note on Gimson and Morris." Godfrey Rubens, JWMS 11.2 (Spring 1995): 24-25.
"Morris and the 'White Line' Method." Ray Watkinson, JWMS 11.4 (Spring 1996): 48-49.
"The Kelmscott Press: To What Purpose?" Lesley A. Baker, JWMS 12.2 (Spring 1997): 36-38.
"Morris and Music." Lesley A. Baker, JWMS 10.3 (Autumn 1993): 6-9.
"Morris and Early Music: The Shaw/Dolmetsch Connection." Andrew Heywood, JWMS 10.4 (Spring 1994): 13-19.
"William Morris and Gustav Holst's Fantasia on the Dargason." Paul Johnson, JWMS 14.2 (Spring 2001): 54-58.
Other Sides of William Morris
For a list of additional articles about other aspects of William Morris, please see our other portals:
- LIFE: Learn who William Morris was, what he did, where he lived, who he knew, and why he's still relevant today.
- SOCIAL THOUGHT: Although it is properly a sub-set of Morris's writings, his ideas on Socialism form a distinct and important part of the impact he had on his own society (as well as on our own today).
- WRITING: Morris's literary output, including poetry and fiction.
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