late romances

Vol. 8 No. 2 p. 07-16 “The Widow’s House by the Great Water”: a Literary Enigma

Helen Timo

Vol. 7 No. 2 p. 26-28 A structural approach to The Wood Beyond the World

Andrew Dodds

Vol. 7 No. 1 p. 12-16 William Morris’s The Sundering Flood

Helen A. Timo

Vol. 13 No. 2 p. 03-11 The First Modern ‘Secondary World’ Fantasy: Morris’s Craftsmanship in The Story of the Glittering Plain

Norman Talbot

Vol. 12 No. 4 p. 15-20 Circular Designs in Morris’s The Story of the Glittering Plain

Pauline Dewan

Vol. 11 No. 3 p. 19-21 Forms of Friendship in The Roots of the Mountains

Regina Hansen

Vol. 10 No. 2 p. 02-09 Self -Revelation in Morris’s Unfinished Novel

Sue Mooney

Vol. 18 No. 1 p. 008-21 The Art of Printing and ‘The Land of Lies’: The Story of the Glittering Plain

Terence Hoagwood

Vol. 16 No. 2-3 p. 092-102 The Music of the Mind: Structure and Substance in William Morris’s The Water of the Wondrous Isles

George D. Gopen

Vol. 14 No. 2 p. 059-089 A Study in Victorian Historiography: Williarn Morris’s Germanic Romances

Nicholas Salmon

Vol. 14 No. 2 p. 047-053 The Influence of De La Motte Fouque’s Sintram and His Companions on William Morris’s The Wood Beyond the World

Hilary Newman

Vol. 13 No. 4 p. 41-47 Water in William Morris’s Late Prose Romances

HiIlary Newman

Vol. 22 No. 4 p. 15-30 The Planetary in Morris’s Late Romances

Ayşe Çelikkol

Vol. 20 No. 2 p. 041-53 The Dream, Image, Vision, Wizardry, and Erotic in Morris’s work

Norman Kelvin

Vol. 20 No. 1 p. 18-35 ‘The land which ye seek is the land which I seek to Xee from’. The Story of the Glittering Plain and Teutonic Democracy

Dustin Geeraert

Vol. 20 No. 1 p. 10-17 The production of The Story of the Glittering Plain: a newly re-discovered exchange of letters

Martin Stott

Vol. 19 No. 2 p. 20-30 The Living Past of William Morris’s Late Romances

Gabriel Schenk

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