Articles on Books Arts and the Kelmscott Press in the JWMS, 1961-2019
| Title | Summary | Categories | Tags | Link |
|---|---|---|---|---|
| Vol. 2 No. 2 p. 14-18 The Kelmscott Press: An Album for the Nineties | Colin Franklin | JWMS Vol. 02 No. 2 (Summer 1968) | *Article, 1960s, book design, Morris-art | |
| Vol. 2 No. 3 p. 06-17 Kelmscott to Kelmscott | Violet Hunt (edited by Lady Mander) | JWMS Vol. 02 No. 3 (Winter 1968) | *Article, 1960s, homes-Kelmscott House, Kelmscott Press, Morris-life, Morris-life 1871-96 | |
| Vol. 2 No. 4 p. 28-30 On the Binding of Kelmscott Press Books | Colin Franklin | JWMS Vol. 02 No. 4 (Summer 1970) | *Article, 1970s, book design, Kelmscott Press | |
| Vol. 3 No. 1 p. 22-26 Morris and Cobden-Sanderson | John Randle | JWMS Vol. 03 No. 1 (Summer 1974) | *Article, 1970s, book design, Morris-art, Morris-life, Morris-life 1871-96 | |
| Vol. 6 No. 2 p. 34 A footnote to a footnote | R. W. Raymond Watkinson | JWMS Vol. 06 No. 2 (Winter 1984-1985) | *Article, 1980s, book design, Morris-art | |
| Vol. 7 No. 1 p. 21-24 Bound in crimson morocco | Margaret Horton | JWMS Vol. 07 No. 1 (Autumn 1986) | *Article, 1980s, book design, decorative arts | |
| Vol. 8 No. 4 p. 28-31 Charles Gere and William Morris | Edmund Penning-Rowsell | JWMS Vol. 08 No. 4 (Spring 1990) | *Article, 1990s, book design, Morris-art, News from Nowhere | |
| Vol. 10 No. 4 p. 40-47 A Bristol Printing House: Edward Everard’s Monument to Gutenberg, Morris and the Printer’s Art | Charles Harvey and Jon Press | JWMS Vol. 10 No. 4 (Spring 1994) | *Article, 1990s, book design, Morris-art | |
| Vol. 11 No. 2 p. 20-24 The Impact of Morris and the Kelmscott Press in Germany | Hans Eckert | JWMS Vol. 11 No. 2 (Spring 1995) | *Article, 1990s, book design, Morris-art | |
| Vol. 11 No. 2 p. 24-25 A Note on Gimson and Morris | Godfrey Rubens | JWMS Vol. 11 No. 2 (Spring 1995) | *Article, 1990s, book design, Morris-art | |
| Vol. 11 No. 4 p. 48-49 Morris and the ‘White-line’ Method | Ray Watkinson | JWMS Vol. 11 No. 4 (Spring 1996) | *Article, 1990s, book design, Morris-art | |
| Vol. 12 No. 2 p. 36-38 The Kelmscott Press: To What Purpose? | Lesley A. Baker | JWMS Vol. 12 No. 2 (Spring 1997) | *Article, 1990s, book design, Morris-art | |
| Vol. 15 No. 4 p. 055-73 The Kelmscott Shelley and Material Poetics | Damian Judge Rollison | JWMS Vol. 15 No. 4 (Summer 2004) | *Article, 2000s, book design, Morris-art | |
| Vol. 15 No. 4 p. 074-90 A Book Arts Pilgrimage: Arts and Crafts Socialism and the Kelmscott Chaucer | Jessica DeSpain | JWMS Vol. 15 No. 4 (Summer 2004) | *Article, 2000s, book design, Morris-art | |
| Vol. 15 No. 4 p. 091-93 A Note on Burne-Jones’s Â’Pocket Cathedral’ and Ruskin | Douglas E. Schoenherr | JWMS Vol. 15 No. 4 (Summer 2004) | *Article, 2000s, book design, Morris-art | |
| Vol. 15 No. 4 p. 094-108 Saint Morris: The Last Days of the Kelmscott Press in the Late-Victorian Media | Thomas J. Tobin | JWMS Vol. 15 No. 4 (Summer 2004) | *Article, 2000s, book design, Morris-art | |
| Vol. 16 No. 2-3 p. 092-102 The Music of the Mind: Structure and Substance in William Morris’s The Water of the Wondrous Isles | George D. Gopen | JWMS Vol. 16 No. 2-3 (Summer-Winter 2005) | *Article, 2000s, Kelmscott Press, late romances, Morris-writings | |
| Vol. 17 No. 2 p. 073-88 Collections and Collectivity: William Morris in the Rare Book Room | Elizabeth Carolyn Miller | JWMS Vol. 17 No. 2 (Summer 2007) | *Article, 2000s, book design, Morris-art | |
| Vol. 17 No. 2 p. 089-98 Taking Our Eyes Out of Our Pockets: Teaching William Morris’s Ideal Book | Susan Jaret McKinstry | JWMS Vol. 17 No. 2 (Summer 2007) | *Article, 2000s, book design, Morris-art | |
| Vol. 17 No. 4 p. 052-64 The Attainment: The ‘Doubled Troubled’ Conclusion of William Morris and Edward Burne-Jones’s ‘Holy Grail’ Series | Kathleen O’Neill Sims | JWMS Vol. 17 No. 4 (Summer 2008) | *Article, 2000s, book design, Morris and Company-Decorative Arts-Tapestries and Wallpapers, Morris-art | |
| Vol. 18 No. 1 p. 065-84 Lucy Faulkner and the ‘ghastly grin’: Re-working the title page illustration to Goblin Market | Emma Ferry | JWMS Vol. 18 No. 1 (Winter 2008) | >Art and Design, >Book Arts, *Article, 2000s, book design, Morris-associates/friends | |
| Vol. 19 No. 1 p. 066-80 The Kelmscott Chaucer and The Golden Cockerel Canterbury Tales | Peter Faulkner | JWMS Vol. 19 No. 1 (Winter 2010) | *Article, 2010s, book design, Morris-art | |
| Vol. 22 No. 4 p. 04-14 Where Have All the Manuscripts Gone? Morris’s Autographs in Diaspora | Florence S. Boos | JWMS Vol. 22 No. 4 (Summer 2018) | *Article, 2010s, autographs, book design, Morris-writings | |
| Vol. 24 No. 1-2 p. 007-023 Fundamental Sympathy: The Gothic, the Fin-de-Siècle Printing Revival and the Digital | Lorraine Janzen Kooistra | JWMS Vol. 24 No. 1-2 (2020-21) | >Book Arts, *Article, 2020s, Kelmscott Press | |
| Vol. 24 No. 1-2 p. 024-035 The Kelmscott Press in a Nineteenth-century Context | William S. Peterson | JWMS Vol. 24 No. 1-2 (2020-21) | >Book Arts, *Article, 2020s, Kelmscott Press | |
| Vol. 24 No. 1-2 p. 067-087 Binding Two Kelmscott Press Publications: A Contemporary View | Hannah Brown | JWMS Vol. 24 No. 1-2 (2020-21) | >Art and Design, >Book Arts, *Article, 2020s, art-contemporary, book design | |
| Vol. 24 No. 1-2 p. 095-105 The People of the Kelmscott Press | John Stirling | JWMS Vol. 24 No. 1-2 (2020-21) | >Book Arts, *Article, 2020s, Kelmscott Press | |
| Vol. 24 No. 1-2 p. 106-129 ‘To see things as he saw them’: Alternate Realities in Burne-Jones’s Illustrations for the Kelmscott Chaucer | Sarah Hardy | JWMS Vol. 24 No. 1-2 (2020-21) | >Art and Design, >Book Arts, *Article, 2020s, Burne-Jones, Kelmscott Press |