Kathleen O’Neill Sims
Vol. 17 No. 4 p. 052-64 The Attainment: The ‘Doubled Troubled’ Conclusion of William Morris and Edward Burne-Jones’s ‘Holy Grail’ Series
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Morris and Company-Decorative Arts-Tapestries and Wallpapers
Vol. 17 No. 4 p. 033-51 The Glazed Screen at Red House
Olive Mercer and Jane Evans
Vol. 16 No. 1 p. 10-21 As It Might Be: The Radical Legacy of William Morris in the Work of David Mabb
Dave Beech
Vol. 15 No. 1 p. 17-37 Class Consciousness in the Design of William Morris
Stephen F. Eisenman
Vol. 14 No. 1 p. 067-075 “A Funny Childish Thing”: The Flodden Field Bas Relief and the Redesign of the Library at Naworth Castle
Katherine Haslam
Vol. 14 No. 1 p. 030-036 John Ruskin, William Morris, and the Illuminated Manuscript
Evelyn J. Phimister
Vol. 13 No. 4 p. 35-40 The Topsaic Tapestries and Penkill Castle
Jan Marsh
Vol. 13 No. 4 p. 21-29 The ‘Sympathetic Translation’ of Patterns: William Morris as Singer, Scribe, and Printer
Isolde Karen Herbert
Vol. 13 No. 4 p. 30-34 The Morris Reredoses at St. John the Baptist Church, Findon, and The Church of the Blessed Virgin Mary, Clapham, West Sussex
Tessa Kelly